Alix Le Saux

Alix Le Saux has been praised for her “warm rounded mezzo voice” (Forum Opera) and her “strong lower register, effortless high notes” (Musicologie).

Her most remarkable portrayals include Massenet’s Cendrillon (Glyndebourne Touring Opera), Dido / Dido and Aeneas (Lyon National Opera, Ruhrtriennale Festival, Opera Ballet Vlaanderen), Rosina / Il Barbiere di Siviglia and the title role of La Belle Hélène (Théâtre des Champs-Elysées in Paris).

Alix has sung at the Opéra National de Paris (TannhäuserL’Amour des trois OrangesWertherManon…), Theater an der Wien (Rossini’s Otello), Glyndebourne Festival (Rusalka), Opéra National de Lyon (titles roles of L’Enfant et les sortilèges and Dido & Aeneas), Paris Opéra Comique (Viardot’s Cendrillon and Offenbach’s Fantasio, JC Bach’s Amadis de Gaule), Opéra de Bordeaux (Boesmans’ Pinocchio, Lavandier’s La Légende du Roi Dragon), Théâtre du Capitole de Toulouse (Orfeo)…

In June 2022, she made her debut at Gran Teatre del Liceu (Barcelona) as Zerlina / Don Giovanni under the baton of Marc Minkowski, a role she sang again at Bordeaux Opera and at the Opéra de Versailles . She recently sang La Périchole at the Théâtre des Champs-Elysées in Paris, Berlioz ‘s Les Nuits d’été with Renaud Capuçon at Berlioz Festival and with Lionel Bringuier and the Karajan Akademie of the Berliner Philharmoniker at Aix-en-Provence Festival.

Upcoming plans : Orphée aux Enfers at the Elbphilharmonie, Ottavia / Incoronazione di Poppea in Paris and Geneva, Il Ritorno d’Ulisse at Teatro Real in Madrid and in European tour…

She has just recorded for the Naïve label , La Speranza / Monteverdi’s Orfeo, Ericlea / Il Ritorno d’Ulisse.

Alix Le Saux began singing with the Children’s Choir of the Opéra National de Paris at age 10. She then joined the Studio
de l’Opéra de Lyon.

General Management

Glück : Alceste

Berlioz : Nuits d'été (ext)

DIdo & Aeneas

Berlioz : Le Spectre de la rose

Monteverdi : L’Incoronazione di Poppea

Il Barbiere di Siviglia

DIdo & Aeneas