Andrea Molino has established a reputation as a conductor in great demand on the international scene. He is equally at ease in 20thand 21st century music (with numerous world premieres) and in the traditional operatic and symphonic repertoire.
Recent projects include Berg’s Wozzeck directed by W. Kentridge, Shostakovich’s The Nose directed by Barrie Kosky, Bartok’s Bluebeard’s Castle and Le Nozze di Figaro at the SydneyOpera House for Opera Australia; the world premiere of Marston’s The Cellist at the Royal Opera House in London; Szymanowski’s Kròl Roger at the Royal Opera in Stockholm, Carmen at the Théâtre du Capitole in Toulouse.
For Opera Australia he conducted Kròl Roger (dir. by K. Holten), Carmen, Tosca and La Bohème, A Masked Ball (dir. by A. Ollé) and Macbeth a.o. At the Teatro La Fenice in Venice he opened the 2010 concert season with the world premiere of Maderna’s Requiem (CD Stradivarius 2022) and the Music Biennale 2005 with Goebbels’ Surrogate Cities.
He conducted the Orchestra del Maggio Musicale Fiorentino, the Brussels Philharmonic, the Bochumer Symphoniker, the Badische Staatskapelle Karlsruhe, the Dresdner Sinfoniker, the MelbourneSymphony Orchestra, the BBC SSO Glasgow, the Orchestre National de Lyon… at the Edinburgh Festival, Vienna Konzerthaus, Philharmonie in Berlin, Beijing Opera House, Sydney Festival, Teatro Comunale in Bologna, Teatro dell’Opera in Rome, Théâtre du Capitole de Toulouse, Opéra de Nancy, Staatstheater Darmstadt, RomaEuropa Festival, Schauspielhaus Zurich, Musik der Jahrhunderte Stuttgart, Zagreb Biennale, Hellerau Dresden.
His recordings are published in CD and DVD by Stradivarius (Milan), ECM (Munich), Naïve (Paris), ABC Classics (Sydney), among others. His performances and recordings have been programmed by the major international broadcasting companies.
Representation : WORLD except Italy