Vibe Rouvet

At just twenty-four years of age, Vibe Rouvet has already attracted attention for the brilliance of her upper register, exceptional vocal agility and fearless virtuosity, combined with a vivid stage personality and remarkable musical maturity. Her repertoire ranges from Baroque opera to Mozart, French Romantic opera and contemporary music, with a particular affinity for the great high coloratura roles.

She post-graduated from the  Haute École de Musique de Lausanne (HEMU) under the guidance of Frédéric Gindraux, and followed the masterclasses of Helen Donath, Klaus Donath, Nino Machaidze and Fabrice Boulanger.

In 2024, she was awarded Second Prize at the Kattenburg Voice Competition, where she particularly impressed the jury with the brilliance and ease of her exceptional upper register, extending effortlessly to high A.

An important milestone in her young career comes in November 2025, when she makes her debut at the Opéra de Lausanne as the Queen of the Night in a reduced production of Mozart’s Die Zauberflöte.

Recent engagements include Zerlina in Mozart’s Don Giovanni at the Festival Musica du Mans, as well as her debut at the renowned Violon sur le Sable Festival. On the concert platform, she has performed Franck’s Les Sept Paroles du Christ en croix under Kaspar Zehnder at the Rosey Concert Hall, the Bride in Stravinsky’s Les Noces conducted by Daniel Reuss, and Schoenberg’s Pierrot lunaire at Théâtre 2.21 in Lausanne under the baton of Guillaume Bourgogne in a staging by Thierry Pillon.

Her stage experience already encompasses Barbarina in Le nozze di Figaro, Crobyle in Massenet’s Thaïs, and the soprano role in Tom Johnson’s L’Opéra de quatre notes. In concert she has appeared in John Rutter’s Requiem at Pau Cathedral, Mozart’s Davide penitente in Sion and Mozart’s Requiem in Paris.

Her repertoire already demonstrates exceptional stylistic breadth for such a young artist. It ranges from Baroque heroines such as Venus in John Blow’s Venus and Adonis and Serpina in Pergolesi’s La serva padrona, to twentieth-century and contemporary works including Lulu in Berg’s unfinished masterpiece and the Controller in Jonathan Dove’s Flight. She also shows a particular affinity for the French lyric repertoire, with roles including Lakmé and Ophélie (Hamlet), alongside the great Mozart coloratura heroines such as the Queen of the Night, Konstanze (Die Entführung aus dem Serail) and Mademoiselle Herz (Der Schauspieldirektor).

Upcoming engagement include her debut debut as Violetta in Verdi’s La traviata at the Festival de Sion and La Fée in Boesmans’ Pinocchio in Rennes, Compiègne and throughout several venues in France.

Representation : General Management